Duel of Orlando and Rinaldo

DUEL OF RINALDO AND ORLANDO
The 24, 25, 29, 31 August
and the 4, 7, 11, 14 September

Performance begins at 18.00

General admission 7,00 Reduced euro 5,00

Teatro Carlo Magno Enzo Mancuso
by Mary College at Old Village, 17
tel.. 347 5792257 – www.mancusopupi.it

TWO BATTLE OF ORLANDO AND RINALDO

Paris is under siege, but from the royal court of Charlemagne, many paladins remote, the love of Angelica, went to look for her. Even Orlando, Paladin of France and the first captain-general of the French Army, left the royal court, and King Charles has no choice, to give the leadership of the French navy to Rinaldo. After a fierce battle with Rodomonte, King of Algiers, succeeds Rinaldo, that take the invaders to flight, and in the forest of leaves, he finds the Orlando with the beautiful Angelica. The two paladins will be challenged to a duel, and surely they would be killed each other, if the magician had not intervened Malagigi… Although the title refers to one of the most beloved stories from the public traditional puppet theater, the “Battle between Orlando and Rinaldo” is actually the result of a modification of the narrative structures of “Theater piece”, which arose from the need, customize the appearance of a new audience. A concrete example, how the stories were constructed, We must remember, that the story of Angelica about 20 Episodes was (including the sub-actions) to go to Orlando and Rinaldo fight, The demonstrations lasted about three. Each episode lasted about two hours. The current drama, taking into account the requirements of a casual audience, summarizes the three episodes, bypassing most of the history and improvisation is both a range. This flexibility of the dramatic action allowed, to survive the disappearance of their own client base of the play and it protected them from the only museum- and banal folk enjoyment.

Orlando and Rinaldo DUEL

Paris is under siege, but the court of Charlemagne turned away many paladins, that lost love Angelica, start in your search. Inclusive Orlando, which is the first champion of France and commander in chief of the French army, left the court, and King Carlo has no other choice but to trust the leadership of the French navy to Rinaldo. After a violent duel Rodomonte, King of Algeri, Rinaldo does give the invaders to flee into the woods and leaves Orlando lies the beautiful Angelica. The two champions are challenged to a duel, and surely would have killed each other if the magician had not intervened Malagigi ... Although the title takes up one of the most beloved stories by traditional public puppetry, "Fighting between Orlando and Rinaldo" is actually the result of a change in the narrative structures of the "work" that was born of the need to adapt the representation to a new audience. To give a concrete example of how the stories were articulated, we must consider that the history of Angelica covered approximately twenty episodes (sub frames including) to get to the battle of Orlando and Rinaldo, which in itself lasted about three presentations. Each episode lasted about two hours. The current show, taking into account the requirements of a casual audience, synthesizes the three episodes and obvious most of the background while leaving some room for improvisation. This flexibility of dramaturgical plot allowed the work to survive the demise of their own clientele and enjoy safeguarded merely a folk museum and trivially.

DUEL BETWEEN ORLANDO AND RINALDO

Paris is sieged, but numerous paladins, consumed with love for Angelica, leaved the court of Charles the Great to go and find her. Even Orlando, who is the first paladin of France and general of the French Army, abandoned the court, and King Charles has no alternative but to entrust the direction of the French Army to Rinaldo. After a violent duel with Rodomonte, King of Algeri, Rinaldo manages to put invaders to flight and going deeper into the woods of the leaf, he finds Orlando with the beautiful Angelica. The two paladins challenged each other to a duel and they would have probably killed one another if Malagigi the magician had not intervened…Although the title reintroduces one of the stories that the traditional public of puppet theater loves the most, the “Combat between Orlando and Rinaldo” is actually the result of some modifications made to the narrative structures of the “play” that emerge from the need to adapt the representation to a new public. In order to give a concrete idea of how stories were articulated, it is necessary to consider that Angelica’s story comprised around twenty episodes (including secondary plots) before reaching the struggle between Orlando and Rinaldo, which lasted around three performances itself. Each episode lasted about two hours. The present show, taking into account the requirements of an occasional public, synthesizes the three episodes and omits most of the background, leaving however certain margin for improvisation. This flexibility of the plot allowed the play to survive the disappearance of its own audience and to be protected from a merely museological and banally folkloristic enjoyment.

DUEL OF ORLANDO RINALDO ET

Paris is under siege, but the court of Charlemagne turned away many paladins, that love with Angelica, go to search. Même Orlando , the first paladins of France and commander in chief of the French army, left the court, and King Charles had no choice but to entrust the direction of the French army Rinaldo. After a violent duel with Rodomonte, roi d'Alger, Rinaldo scares invaders and Orlando is in the forest with the beautiful Angelica. The two paladins fought a duel, and he would surely be killed, Malagigi if the magician had not intervened … Although the title refers to one of the most beloved stories of the public's traditional puppet theater, the "battle between Orlando and Rinaldo" is actually the result of a change in the narrative structures "of the work" that was born from the need to adapt the representation to a new audience. To put a concrete example of how stories were articulated, we must consider that the story of Angelica included about twenty episodes (the subframes including ) to arrive at the battle of Orlando and Rinaldo, which, per se, lasted about three presentations. Each episode lasted about two hours. The current show, taking into account the demands of an occasional, summarizes the three episodes and, omits most of the background allowing both some room for improvisation. This flexibility has allowed dramatic frame work can survive the loss of its own customers and has saved remain simply as a piece of museology and folk banal.

DUEL OF RINALDO AND ORLANDO

Paris is threatened siege, but the court of Charlemagne turned away many paladins, I took love for Angelica, were made to its search.
Orlando is also the first champion of France and Captain General of the French army, left the court, King Charles, and all that remains is to entrust the command of the French Rinaldo. After a fierce battle with the king of Algiers Rodomonte, Rinaldo manages to scare away the invaders and inoltratosi the leaf meets Orlando in the forest with the beautiful Angelica. The two paladins duel, would certainly killed each other if not intervened to divide the magician Malagigi ...
Although the title takes one of the most cherished stories to traditional public of the work of puppets, the "Battle of Orlando and Rinaldo" is actually the result of a rethinking of structures of narrative '"deed", born from the need to adapt the performance to a new audience. To give a concrete example of how the stories were divided, you have to think that the story of Angelica included approximately twenty episodes(including subplots) to get to the battle of Orlando and Rinaldo, which in itself lasted more or less three evenings. Each episode lasted about two hours.
The actual performance, taking into account the needs of an occasional, condenses the three episodes and omits most of the background, while retaining a certain margin for improvisation. This flexibility has allowed dramatic tissue all'opra to survive the death of its clients and protect it from a purely museological use and trivially folk.