Re Charlemagne King Imperaturi Rosalia Sinibaldi

From’ 11 to the 14 July on the occasion of the feast of the Patron Saint Rosalia the show will be staged by Pupi Siciliani

“Re Charlemagne King Imperaturi Rosalia Sinibaldi”

Performance begins at 18.00

General admission 7,00 Reduced euro 5,00

infoline: (+39) 347 5792257

Tell the story of Santa Rosalia allows us to represent stories in which we puppeteers we are very close to brush and scripts used by the old masters; start the show with the cunto (baby cuntista) as when the master cuntista Camillo Camarda in the early 1900 affabulava people with his stories of the Paladins of France in the Old Village neighborhood by way of Mary College is a duty as important as the fact.
The Story of Santa Rosalia in this show allows us to put together everything that I Enzo, new generation of puppeteers, I learned the tradition in recent years. You will see in the course of the show's scenes when Roger comes in Palermo and kills four giants, Baldwin bravely saves the King Roger and kills the lion, Rosalie fleeing in despair after the marriage proposal made by Baldwin ...
This show wants to make it relevant training courses that the puppeteer has made over the years, demonstrating that these, in time, has preserved the tradition, apprenticeship fundamental to experiment and make present the stories that have been passed down through the centuries.

KING CHARLES THE GREAT EMPEROR TO ROSALIA SINIBALDI
Telling Santa Rosalia’s stories gives us the opportunity to represent stories to which we puppeteers are strongly attached and to dust scripts used by elderly masters. Starting the show with the cunto (puppet cuntista), as when the master cuntista Camillo Camarda used to tell his stories related to the Paladins of France in the first years of the 1900 On Mary's College Street at the Old Village, is necessary and important. Including the story of Santa Rosalia in this show enables us to put together everything that I, Enzo, puppeteer of a new generation, have learned from tradition in all these years. The scenes in which Ruggiero arrives to Palermo and kills the four giants, Baldovino bravely saves King Ruggiero and kills the lion, and Rosalia flees in despair after hearing Baldovino’s proposal of marriage, will be seen during the course of the show…
This show intends to emphasize the puppeteer’s training period over the years. He has preserved the tradition and has taken it as starting point to experiment and update stories that have been handed on over centuries.

RI KARL DER GROSSE IMPERATURI ZU ROSALIA Sinibaldi

The facts of Santa Rosalia, it allows us, Stories illustrate the puppeteers we are very grateful and refreshing scripts, have been used by old masters. The play with the cunto (cuntista Puppets) to start is necessary and important, as if the master Camillo cuntista Camarda told his stories about the paladins of France in the Borgo Vecchio, on the road Collegio di Maria in the early years of 1900. The history of Santa Rosalia in this performance, it allows us, everything to unify, Enzo I, Puppeteer of the new generation learned from the tradition of these years. While the play is shown as Rugiero Palermo arrives and kills the four giant, as the gallant King Baldovino Rugiero and rescues the lion kills, fled as the desperate Rosalia before the marriage proposal of Baldovino…
This play is intended to emphasize the educational process of the puppet master over the years, Always keep the tradition has it, and he has experimented with stories and updates, that have been handed down through the centuries.

RI CHARLEMAGNE IMPERATURI ROSALIA A Sinibaldi
Tell the stories of Santa Rosalia allows us to represent us stories which we are linked puppeteers and dust scripts used by old masters. Start the show with how much(títere cuntista), as when the master Camillo cuntista Camarda in the early years of 1900 narrated their stories related to the Paladins of France in the Borgo Vecchio neighborhood street Collegio di Maria, is bound and important. The history of Santa Rosalia in this show allows us to unify everything I Enzo, puppeteer of the new generation, learned of the tradition over the years. During the show will be scenes where Rugiero reach Palermo and kill the four giant, of Baldwin who bravely saves the king and kill the lion Rugiero, Rosalie che flees in despair after the marriage proposal of Baldwin ...
This show aims to highlight the formation of puppetry through the years, who has always maintained the tradition and since she has experienced and updated stories that have been handed down through the centuries.

RI CHARLEMAGNE IMPERATURI EN ROSALIA Sinibaldi
Tell the stories of Santa Rosalia we play stories that, we, puppeteers are very attached and stir the scenarios used by the old masters. Does starting the show with Cunto ( marionnettes cuntista), as at the time the master cuntista Camillo Camarda that in the early 1900 told stories related to Paladins of France in the Borgo Vecchio neighborhood street Collegio di Maria, became something necessary and important. The history of Santa Rosalia in this show allows us to unify everything myself Enzo, puppeteer of the new generation, I learned of the tradition over the years. During the show we see on stage when Rugiero arrives in Palermo kills four giants who courageously and as Baldovino, Rugiero saves the king and kills the lion Rosalia leaking into despair after the marriage proposal Baldovino…
This show aims to highlight the process of forming the puppeteer through the years, who has always maintained the tradition and from this experienced and updated stories that have been passed down through the centuries.